Marta Kluczyńska
A conductor with a rich opera, ballet and symphonic repertoire. She is constantly looking for new ways of interpretation and non-obvious programmes worth showing to a wide audience.She is the originator and conductor of a series of concert performances of forgotten Polish operas at the Teatr Wielki Opera Narodowa in Warsaw. In 2021, she was appointed music director of the Polish National Ballet. Since 2018, he has been the musical director of annual outdoor opera performances in front of the Palace in Nieborów, (2018 – Antoni Radziwiłł Faust, 2019 – W. A. Mozart Don Giovanni, 2021 – W. Żeleński Goplana, 2022 – K. Kurpiński Charlatan, or Resurrection of the Dead, 2023 – W.A. Mozart The Magic Flute, 2024 – A. Dvorak Rusałka).
Kluczyńska is a graduate of the Fryderyk Chopin University of Music in Warsaw in the symphony and opera conducting class of prof. Marek Pijarowski and in the piano class of prof. Elżbieta Karaś Krasztel. In 2019, she participated in the Hart Institute for Women Conductors program at The Dallas Opera. She participated in workshops organized by the European Network of Opera Academies: during the Edinburgh Festival (Great Britain, 2010) and at the Académie Européene du Festival d'Aix-en-Provence (France, 2011, workshops conducted by Peter Eötvös; 2019 workshops by Katie Mitchell).
Since the 2008/09 artistic season, she has been associated with the Teatr Wielki Opera Narodowa in Warsaw, where she made her debut at the age of 24, leading the play In the Land of the Magic Flute. Then she was entrusted with conducting opera performances, including: Straszny dwór, A Midsummer Night's Dream by B. Britten, the first performances of operas as part of the 'P' Project – for the Voices and Hands of Jagoda Szmytka, Transcryptum by Wojtek Blecharz, Victory over the Sun by Sławomir Wojciechowski, Solarize by Marcin Stańczyk and ballets: Harnasie, Romeo and Juliet, The Nutcracker, Giselle, La Bayadère, Don Quixote, Corsair, Tristan and many others. In 2024, together with choreographer Anna Hop, she created and conducted a new version of Mieczysław Wajnberg's ballet Pinocchio (or. Golden Key).
She collaborated closely with most operas and philharmonic orchestras in Poland.
