I'm Back in Town!

The Overture to the opera Così fan Tutte is an example of musical elegance and finesse that characterise Mozart's artistry. This opera was the last of three he composed to the libretto by the eminent Lorenzo Da Ponte (the others being Don Giovanni and The Marriage of Figaro). It is a work filled with exquisite humour, exploring the adventures of romantic relationships.

Mozart never hid his feelings that neither the flute nor the harp was among his favourite instruments (Is there anything worse than a flute? – he joked once. – Yes! Two flutes). However, he clearly set aside these negative sentiments when composing his Concerto for flute and harp. This piece charms with its lightness and balanced virtuosity. Both instruments seem to converse with each other carefreely, yet Mozart's distinctive style is unmistakably present. It is a splendid example of Enlightenment-era salon music, in the best sense of the term.

While Beethoven's Symphony No. 1 is sometimes called a "farewell to the 18th century," his Symphony No. 2 tells a different story altogether. Composed during his increasing deafness, it is a work that celebrates optimism. However, this does not mean it lacks depth. Although it retains simple themes reminiscent of Haydn's style, the difference lies in the intensity and brilliance with which Beethoven treats the musical material. The Second Symphony clearly prepares us for the arrival of his Third Symphony, and some dramatic moments may remind listeners of his monumental Ninth Symphony. Undoubtedly, this is the Beethoven whom we all know and love.

Overture to the opera Cosi fan tutte performed by Sinfonia Rotterdam conducted by Conrad van Alphen:

Excerpt of Beethoven's Symphony No. 2 performed by the Berliner Philharmoniker conducted by Herbert von Karajan: